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Hugues-Adhémar Cuénod ((:yɡ kɥeˈno); 26 June 19026 December 2010)〔 (Hugues Cuénod )〕〔("Hugues Cuénod Dies at 108; Versatile, Light-Voiced Tenor" ) by Margalit Fox, ''The New York Times'' (7 December 2010)〕〔 ("Le ténor vaudois Hugues Cuénod décède à 108 ans" ), ''24 heures'' (7 December 2010)〕〔(Obituary ), ''The Guardian'', 8 December 2010〕 was a Swiss tenor known for his performances in international opera, operetta, both traditional and musical theatre, and on the concert stage, where he was particularly known for his clear, light, romantic and expressive poised interpretation of ''mélodie'' (French art song).〔(Obituary ) ''The Daily Telegraph'' (7 December 2010)〕 His repertoire encompassed everything from the medieval chansons of Guillaume de Machaut to the avant garde works of Igor Stravinsky, as well as impressive recordings of lute songs. Cuénod one of the people responsible for the revival of barogue. A distinguished singer of Johann Sebastian Bach's music, he was particularly praised for his interpretation of the Evangelist in Bach's ''St Matthew Passion''.〔 He had the longest career of any recorded vocalist or performer in history: he gave his first concert in Paris in 1928, aged 26, and his last in 1994, when he was 92. ==Career== Cuénod was born in Corseaux-sur-Vevey, Switzerland. His grandfather was the mayor of Corseaux and he had English ancestry through his grandmother.〔Hugues Cuénod With a Nimble Voice: Conversations With François Hudry, translated by Albert Fuller, Pendragon Press, 1999. - P. 1.〕 In 1913, aged 11, he attended the 78th birthday party of Camille Saint-Saëns, who played piano duets with Ignacy Jan Paderewski.〔(Instant Encore ). Retrieved 14 April 2014〕 He received his training at the Ribaupierre Institute in Lausanne, at the conservatories in Geneva and Basel, and in Vienna. He started his career as a concert singer. In 1928, he made his stage debut in Ernst Krenek's ''Jonny spielt auf'' in Paris, and in 1929 he sang for the first time in the United States in Noël Coward's ''Bitter Sweet''. From 1930 to 1933, he was active in Geneva, and then in Paris from 1934 to 1937. During the seasons 1937 to 1939, he made an extensive concert tour of North America. From 1940 to 1946, he taught at the Geneva Conservatory. In 1943 he resumed his operatic career singing in Johann Strauss II's ''Die Fledermaus'' in Geneva. He subsequently sang at Milan's La Scala (1951), the Glyndebourne Festival (from 1954 on) and London's Royal Opera House, Covent Garden (1954, 1956 and 1958). Cuénod was known for his roles as Basilio in Mozart's ''The Marriage of Figaro'', the Astrologer in Rimsky-Korsakov's ''The Golden Cockerel'', and a role written for him by Stravinsky, Sellem in ''The Rake's Progress''. In pre-war Vienna and Paris, he frequented aristocratic salons and worked with Nadia Boulanger, with whom he made a pioneering set of recordings of madrigals by Monteverdi in 1937; after the war, the new early-music boom relied heavily on his light, unmannered, natural sound. He holds the record as the oldest person to make a debut at the Metropolitan Opera. He debuted as the Emperor Altoum in Puccini's ''Turandot'' on 12 March 1987 at the age of 84. He repeated the role the following season for a total of 14 performances. His very last appearance on stage was in 1992, aged 90, when he sang M. Triquet in Tchaikovsky's ''Eugene Onegin'' at the Théâtre du Jorat in Mézières.〔 After retiring from the concert circuit, he became an educator of the musical arts in England, with Belgian Soprano Suzanne Danco. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Hugues Cuénod」の詳細全文を読む スポンサード リンク
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